Journalists' Toolkit

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A training site for multimedia and online journalists

The best video export options

How do you choose the best settings for exporting your video, after you have edited it?

I remember how confusing this was for me when I started working with Web video several years ago. With the slower computers we had back then, I would wait for what seemed like forever while exporting a small 2-minute video — only to have it come out looking horrible. Then I would change the export settings, using whatever information I had to base decisions on, and then go through the process again.

I kept thinking someone, somewhere must have the list of instructions for how to export my video properly! Why couldn’t I find that list?

I couldn’t find it because it doesn’t exist, and here’s why:

  1. Every video editing program has a different constellation of options for exporting.
  2. The options change, at least slightly, every time a new version of the software comes out. This is at least partly because improvements are being made in digital video technology almost continuously.
  3. The character of the video itself can require different settings for best results.
  4. There are so many different possibilities for your output — will it be playing on an iPhone or on a large HD screen?

The good news

To save yourself a lot of time, start by looking at where the final video is going to appear. If it’s going to be on YouTube, then start by reading about their supported file formats. YouTube has a list of helpful articles about editing videos.

If it’s going to be on Vimeo, read their guide on compression. This is actually a list of common things you will see in your video editing software when you go to export your edited video. They also list their supported file formats on that page.

In other words, work backward from the end result you are aiming for. Choosing the file format cuts out many of the myriad options offered by most video editing programs.

If you’re working for a company that frequently puts videos on its website, you can bet there is already a “recipe” for how to export. If no one has experimented, determined the best practices, and written that recipe yet — then maybe that’s YOUR job! Seriously, if you’re part of a media organization and no one has codified the preferred workflow and export settings for video, then someone needs to step up and get that done.

Highest quality

Do not choose a low-quality option for exporting your video. In some programs you might have an option such as “For e-mail” — that would make a small, ugly video, because the emphasis is on making the file size small enough to be practical for sending as an e-mail attachment (which no one should ever do with video anyway!).

In Windows Movie Maker, there is a setting “For Web,” which you might think is a good choice for Web video. Wrong! Again, you are choosing an unreasonably bad quality. In that case the highest quality is “For computer.” (Windows is just weird.)

On the other hand, “For DVD” in any program is likely to do all kinds of things you DO NOT want for the Web.

Once you have exported a high-quality video file, it is possible to convert it to other formats and lesser quality without going through the whole export process again. If you have a low-quality file, however, it is not possible to improve it — UNLESS you go back and export all over again.

General terms and things to look for

File format: I mentioned this already. Every computer file has a format, and that format is represented by a file extension, such as .docx for Microsoft Word documents and .jpg for most photographs. There are lots of different video file formats, but some of these are far more common than others. MP4 (.mp4) and WMV (.wmv) are two you might be familiar with. What about .ogv or .webm? Not so common today, but it’s likely they will be, as HTML5 gains ground. You need to figure out which format will be suitable for the video you want to export.

Codec: This word is short for coder/decoder, and in many video editing programs, this is what you need to select before you get a choice of file formats. So, choose H.264 for MP4, for example. If your software does not offer you a choice of codecs (like Windows Live Movie Maker), it is probably because there is only one, so you don’t get to choose.

Frame rate: Digital video usually has a frame rate (number of frames per second) of 30 or close to 30 (29.97). Film has a frame rate of 24 frames per second. Generally you’re going to shoot at 30 fps and export for 30 fps.

Audio: If you get to choose audio settings, keep in mind that “CD quality” is 44.1 kHz and 128 kbps. Anything lower starts to sound bad. If you can choose mono instead of stereo, you could consider that the file size will be significantly smaller if you select mono.

Data rate: This is a big consideration for quality for streaming video. Lower numbers mean lower quality. Higher numbers, while they do provide higher quality images and motion, also increase the file size. If you’ve ever watched an online video that stopped and started repeatedly, that video probably had a high data rate. I start with a data rate of 1000 kbps for a video that does not have a lot of action and motion in it. If the quality of the exported file seems poor, then I try again with 2000.

Deinterlacing: Always choose this for online videos. Otherwise, the image can be messed up.

Aspect ratio: An easy way to think about this: Is your video frame almost square, like an old-style TV? That’s 4:3. Is your video frame long and wide from side to side? That’s 16:9. These are the two most common aspect ratios.

Resolution: This is measured in pixels — and for Web video, keep in mind that many people do not have gigantic computer screens. A standard (4:3) video is typically 640 x 480 (width x height), and a widescreen (16:9) video is often 853 x 480. HD video (also 16:9) is 1280 x 720 — half-size (still 16:9) would be 640 x 360.

Keyframes: I usually choose “Automatic” if the video editing software gives me an option. You may choose to have a keyframe added for every x frames, but I don’t know the criteria for choosing the number. I do know that a higher number will increase the file size!

Final tips

If you have exported a video and you like the results, go back immediately and write down all the settings you used. There’s no way you will remember them next time!

If you’re using the same settings you always use, but this time the video came out poorly (especially if it is indistinct, or smeared in appearance), maybe this video has a lot more changes at a faster pace. It does not have to be motion; it may be just a lot of fast cutting among very different scenes. Try increasing the data rate and/or adding keyframes — for example, keyframes every 30 frames.

Video Resources updated

The new Video Resources page has been added to this site.

This is a carefully curated page with links to good tutorials for video editing software, video shooting tips, and the like. It’s intended for beginners, particularly journalism students and journalism educators who are teaching video in their classes.

New screencast tutorial for Audacity

The second “how to edit audio with Audacity” video screencast tutorial is finished: Multitrack Audio Editing (Audacity Part 2). This is a 15-minute self-guided tutorial with lots of comments and a detailed table of contents.

The first video screencast tutorial for Audacity is an introduction: Audacity Basics: Getting Started in Audio Editing. At 17 minutes, it’s an ideal starting point for journalists or journalism students. I have added a detailed table of contents to this one as well.

These tutorials were built with Adobe Captivate, so once they are downloaded, you can skip back and forth without any waiting. The table of contents is clickable, so you can go straight to any segment for review. However, that means the file format of these tutorials is SWF, so for now, they will not play on iPad.

iMovie 09 tutorials for journalism students

For journalism students just starting to learn video, I created two compact, illustrated handouts in fall 2010:

Basic iMovie 09 Tutorial — PDF, 9 pages, 1 MB

More iMovie 09 Tips (Part 2) — PDF, 6 pages, 552 KB

The reason I made two handouts instead of one:

In the first video editing class, I teach purely editing. I focus on how to trim, what to trim, and how to match the action. I talk a little about avoiding jump cuts. I explain how to export a high quality file.

In the second video editing class, I devote most of the time to how cutaways work and how to make them. Then I cover how to add audio, titles and credits. Adjustments to audio volume and detaching audio from video are also explained.

You can use these handouts under this Creative Commons license.

Apple’s how-to videos for iMovie 09 are here.

Convert WMA files with Switch

Switch Sound File Converter is a free program from NCH Software. You can download it here (Mac or Windows).

I have been using this program and recommending it widely for about two years. It’s easy to use, and it’s especially useful for converting WMA format files to WAV so that we can edit them in Audacity (which cannot open WMA files).

However — and the reason I am writing this post — Switch does something complicated and annoying on Windows systems. It didn’t always do this underhanded sneaky thing that it now does, and it has caused many journalism educators (and students) no end of headaches and extra work.

On the official download page, you can clearly see that the company touts the free version: “A free version of Switch is available for non-commercial use. The free version does not expire and includes most common audio file formats.” Call me silly, but I think “free” means free. Don’t you?

Here’s the sneaky part: After about two weeks, Windows users will get a message that they now have to pay for Switch. (I have not seen this yet on any Mac system.) Does this mean that NCH Software lied to you? Not technically. Here is how to get your free version back (instructions for Windows 7; other versions may differ):

  1. Close the Switch program completely (if it is open).
  2. Open the Windows Control Panel.
  3. Select “Uninstall a program.”
  4. A gigantic list of program will open. Scroll in the list to find “Switch Sound File Converter.” Double-click that item.
  5. In the dialog box that opens next, select “Downgrade to the free version (fewer features but free).” Yeah, I know. This is SO SLEAZY! You downloaded the so-called free version. What is this crap?
  6. Click Next.
  7. DO NOT click the button in the middle of the next sleazy screen. Just click Next (again).
  8. The dialog box closes. Wait a minute or two.

Now Switch will work properly again.

If you would like to see a step-by-step demonstration of how to use Switch to convert audio files, watch this video tutorial (don’t worry, it is actually and in fact free).

New tutorial: Windows Live Movie Maker

As an aid to a journalism training session I agreed to give, I created a short PowerPoint that is aimed at journalism students.

Windows Live Movie Maker Tutorial

Windows Live Movie Maker is quite different from its predecessor — Windows Movie Maker (not “live”). It is less versatile in several ways. To answer my own questions about WLMM, I did quite a lot of searching on the Web. To spare others the trouble and share the answers I found, I made a two-page PDF with links:

Windows Live Movie Maker Tips (PDF, 128 KB)

If you have any helpful WLMM links to suggest, please add a comment.